The reception has been canceled due to the evolving situation around the University’s planning and scheduling related to the coronavirus. We apologize for any inconvenience. Following UA’s health and safety
Digital Art Instructor Has Prints Selected for Midwest Exhibitions
Nic Tisdale, full-time instructor in foundations, digital art and printmaking, has had two prints selected for exhibitions in the Midwest. His color lithograph, Trylla: Troll Stories #1, was selected for
UA Art History Professor Wins Grant to Make a Virtual Reality Gothic Cathedral for Alabama Middle-Schoolers
The humanities are more than a set of subjects like history, literature and philosophy; they are also a way of solving urgent problems. When they step beyond the walls of
UA Student Graphic Designers Strike Gold at the ADDYs
UA studio art majors and minors won Gold and Silver American Advertising Awards (ADDYs) in the student category at this year’s American Advertising Federation of Tuscaloosa’s annual awards gala in
BFA Graduate Hired at Award-Winning Design Firm
Holly Welch (BFA 2019, digital media) was hired as a graphic designer for JumpCrew in Nashville, Tenn., in 2020. Welch said that this is a new company and has grown
UA Junior Studies Art History in Scotland
Anna Wallace Pitts, a junior double major in art history and studio art with a minor in the Blount Scholars Program, was accepted to the University of Glasgow in Scotland
New Exhibition Drawn from Alabama Collectors Illustrates Value of Supporting Artists
While The University of Alabama operates in a limited capacity in order to stem the spread of COVID-19 and to ensure the safety of our visitors and staff, the Paul R.
UA Staff Craft Items to Auction for Performing Arts Center
Beyond 4:45 Auction and Art Show in the UA Gallery on First Friday March 6 is raising funds for UA’s Performing Arts Academic Center. Members of the College of Arts
UA Art Historian Presents Research in Madrid, Spain
In January, Dr. Tanja Jones, associate professor of art history, was invited to present a paper in Madrid at the conference Dialogues in the Late Medieval Mediterranean: Methodological Encounters and