Directory

In his landscape photography, Chris Jordan creates imagery of both real and imaginary places. He specializes in both analog and digital processes, finding resonance in how creativity unfolds through technology. Jordan’s work has appeared in the journal Diffusion: Unconventional Photography; and the photography blogzine Lenscratch. His book, Nowhere in Place, describes the ways that mindful meditation inform an artist’s vision. He exhibits nationally and internationally and his work is held in numerous private collections. He has an active workshop practice and has taught at The Center for Photography at Woodstock.

Recent Media and Exhibitions

2021

• Nowhere in Place, GFT Publishing, 2021, with an introduction by Hank Lazer

2020

• Portfolio: Tales of the Observer, one of six artists featured on Midwest Center for Photography’s Portfolio Platform, Oct. 2020 – Mar. 2021
• False Dawn (from portfolio Tales of the Observer), 2020 International Juried Exhibition (juror Aline Smithson), Center for Photographic Art, Carmel, Calif., Nov. 14-Dec. 20
• Rhythm Changes, Francis Thompson Selects exhibition (juror Francis Thompson), Atlanta Photography Group Gallery, Atlanta, Ga., Oct. 17-Nov. 28
• Publication: Twilight Passages, a portfolio of photographs, in Poignant Portfolios, One Twelve Publishing, February 2020

2019

• Twilight Passages, The Photographic Gallery, San Miguel de Allende, Mexico, Feb. 9-March 2

2018

• Myths, Legends, and Dreams, juried exhibition, Vermont Photoplace Gallery in Middlebury, Vt., March 7-31
• Juror’s Award for Emptying
• One of ten finalists for the 2018 Clarence John Laughlin Award for photography.

2017

• Still of the Night, solo exhibition, Hoover Public Library Galleries, Hoover, Ala., Oct 2-Nov 3

2015

• All Through The Night, Nan Boynton Gallery, Tallahassee, Fla.
• Suburban Sublime, Viewpoint Gallery of Contemporary Photography, Halifax, Nova Scotia; image in Canadian Photolife
• LENSCRATCH: PhotoNOLA: Christopher Jordan

Christopher Jordan, “Rhythm Changes,” cyanotype, archival pigment print, 28.5 x 35 inches.

Christopher Jordan, “False Dawn,” from Tales of the Observer, archival inkjet print, 16 x 24 inches.

Christopher Jordan, “Spacious Light,” 2010/2019, archival pigment print, 26.5 x 34 inches

Christopher Jordan, “Course Correction,” from Tales of the Observer, archival inkjet print, 16 x 24 inches.