In April, Associate Professor Sarah Marshall presents a solo exhibition of hand-dyed fabric works and quilts at the Wiregrass Museum of Art in Dothan, Alabama. The work in Exquisite Disorientation
UA Art & Art History Outstanding Students Named for 2021-22
The UA Department of Art and Art History is proud to announce the four recipients of our Outstanding Student Awards for academic year 2021-2022, awarded “in recognition of exemplary dedication
Digital Media – Graphic Design BFA Seniors Unveil Thesis Show
The University of Alabama’s Department of Art and Art History presents the 2022 Senior BFA Thesis Exhibition – Digital Media/Graphic Design, April 20-25, 2022, in the Sella-Granata Art Gallery, in
Art History Major To Present Research at National Undergrad Research Symposium
A research paper by UA junior art history major Aidan Miles-Jamison was selected for the sixth annual refereed AKMA / MWSU Undergraduate Art History Symposium from a national call for
Art Workshops Bring Environmental Stewardship to Life
The public is invited to a lantern-making workshop on Friday, May 6, 2022, from 5:00 to 7:00 p.m. in the Dinah Washington Cultural Arts Center during the First Friday Art
SMGA Showcases Works by Acclaimed Alumni Artist
The Sarah Moody Gallery of Art is pleased to present Exploring Thornton Willis, March 31 – May 11, 2022, featuring paintings by the artist from the gallery’s Permanent Collection. A
MFA Exhibits Explore Class Privilege, Create Social Satire
The University of Alabama Department of Art and Art History presents the Master of Fine Arts thesis exhibitions of Shivam Pawar and Upneet Kaur Mair, April 7 – 13, 2022, in
Art & Art History March Faculty Accolades 2022
Dr. Jennifer M. Feltman published, “The Afflicted Body of Job and the Aesthetic of Wholeness in Gothic Sculpture,” in The Routledge Companion to Art and Disability, edited by Keri W.
Drawing Professor’s NYC Solo Show Reviewed in Hyperallergic
Associate Professor Pete Schulte’s solo exhibition, The Train and the River, at McKenzie Fine Art in New York, N.Y., was favorably reviewed in Hyperallergic by the prominent art critic and