Galleries & Museums

UA Public Sculpture

The University of Alabama has a large and growing collection of outdoor, public sculpture. Begun in the early 1990s with the Alabama Biennial, the most recent additions have been in the Woods Quad Sculpture Garden. Life-size bronze statues of our championship coaches, as well as fairy-tale-sized animal sculptures, are part of our campus-wide treasure trove. Browse more photos of the Alabama Biennial and UA Public Sculpture.

Woods Quad Sculpture Garden

The Woods Quad Sculpture Garden has been growing for many years, but was officially dedicated in August 2014 by then-Dean Robert Olin. Currently, these sculptures occupy the quad grounds:

Billy Lee’s Homage to Brancusi, the oldest sculpture here, was the purchase award winner for the 1993 Alabama Biennial. Located in the north and west “crook” of Garland Hall, it measures 38 x 28.5 x 12.5 inches of painted steel. This work is part of the Smithsonian Institution‘s Save Our Sculpture project.

Goldie 1971, by Joe McCreary (MFA 2011) 2009, iron and steel; approx. 23 ft. L, 4 ft. T, 5 ft. W; between 3 and 4 tons. Goldie commemorates the history of Birmingham’s Sloss Furnaces and was purchased by the College of Arts and Sciences in 2010. Lying in front of Woods Hall at the northeast corner of the quad, Goldie is a popular photo spot.

Craig Wedderspoon‘s Montgomery Marker, 2011, 58 x 58 x 58″, cast bronze, stands at the southwest corner of the quad at Manly Hall. It was part of the UA Faculty Biennial Exhibition in 2012. Wedderspoon is professor of sculpture at UA.

Fibonacci Spiral, by Lindsay Jones Lindsey (BA 2012), stainless steel, dimensions variable, was created during a two-year-long research project involving coursework in Art and Art History, Engineering and Interior Design. Read more about Lindsay Jones Lindsey’s work.

The most recent addition to the Woods Quad Sculpture Garden is Quilted Vessel by Craig Wedderspoon, aluminum, dimensions. Sited in the center of the quad, it is the third in the series of rotating sculptures here. This piece is the largest in a sculpture group exhibited in a solo exhibition by Wedderspoon at the Birmingham Museum of Art 2013-2015.

The newest addition, in the summer of 2018, is Mobius and Borromean Rings by Paget Kern. Kern, an art minor, designed the work to link two complex mathematical ideas together in a massive sculptural example. Read more about Mobius and Borromean Rings.

three stone sculptures resembling human figures wearing cloaks
“Icarus and the Guardian Angels” by Be Gardiner.

“The University of Alabama’s permanent outdoor collection”

The Alabama Biennial was a sculpture competition and exhibition that took place on The University of Alabama campus in the years 1991, 1993, and 1995. The juried competition invited sculptors “to exhibit portraits of mythological and historical characters and memorialize the spirit of the age in which the subject lived.”

The very first year of the Biennial, 1991, when the marble statues making up Be Gardiner’s work, Icarus and the Guardian Angels, won one of two purchase prizes, then-Dean James Yarbrough designated the purchased works throughout campus “The University of Alabama’s permanent outdoor collection.”

In 1995 (its third exhibition), Yarbrough wrote in that year’s catalog that the endowment for the Biennial was established “in order to exhibit and acquire sculpture of heroic proportions for the University.”

a sculpture resembling a canoe on wheels, filled with rocks
Peter Flanary, “Walt Whitman Cult Wagon,” 42 x 27 x 134 inches; cast iron, steel, stone.

In the first two years, the competition was coordinated by the “vision and considerable professional skill” of Art Oakes, now professor emeritus of sculpture. Because of his efforts the Alabama Biennial “quickly gained a reputation as an important outdoor sculpture exhibition in the South.” In year three, Oakes was honored for his efforts and a purchase prize named for him.

The five works still on campus — by artists Andrew Arvanetes, George Beasley, Peter Flanary, Be Gardiner, and Billy Lee — won purchase awards and became part of UA’s permanent outdoor collection. Please visit our Flickr set on the Alabama Biennial and go to Flickr’s map to find each piece’s location on The University of Alabama campus.

Be Gardiner’s Angels and Flanary’s Wagon were both vandalized at different times. In 1991, the New York Times ran an article about the significant damage to I. Peter Flanary’s piece was vandalized three times in 2004. In the spring 2008 issue of our newsletter, The Loupe, we focused on public art and the danger of vandalism. See especially pages 1, 4 and 6.

(Quotations are from the 1993 and 1995 Alabama Biennial catalogs.)

metal sculpture of a rabbit carrying a walking stick
Frank Fleming’s “Peter the Rabbit.”

CDRC Sculpture Garden “on the hill”

Internationally acclaimed sculptor Frank Fleming, a UA alumnus who received his MFA in art in 1973, was commissioned by the College of Human Environmental Sciences to create larger-than-life bronze beasts for a sculpture garden at the Child Development Research Center. His creations — Peter the Rabbit, John the Turtle and Frank the Frog — were donated by alumna Margaret E. Rhoads in honor of her late husband, John L. Rhoads. Our Flickr collection of photos of the sculptures at the CDRC.

More Information

For more information about the UA Department of Art and Art History and its programs, visit our Degree Programs page or contact the department at (205) 348-5967.

Information about visitor parking is available on the UA parking services website. Parking is free on campus in a legal space after business hours. For more information, contact the gallery at (205) 345-3038.