Directory

Doris Sung

Doris Sung

Assistant Professor of Art History, Asian Art

Education

  • PhD, York University, Toronto
  • MFA, York University

About


Dr. Sung’s research focuses on early modern, modern and contemporary art of East Asia, cultural interactions between Asia and Europe, and gender and visual culture.

She is currently working on a book manuscript titled “Worlding Female Talent: Art, Gender, and Reforming Traditions in Early to Mid-Twentieth Century Chinese and Global Spheres.” The book examines the contribution of three generations of Chinese women artists to the art reform and shifting gender positioning in China. Dr. Sung published several book chapters and articles on Chinese women artists active in the twentieth and twenty-first centuries. She is contributor to entries on modern and contemporary Chinese art in Grove Art Online (Oxford Art Online). She is Co-PI of “Global Makers: Women Artists in the Early Modern Courts,” a digital humanities project aims to encourage and support sustained, interdisciplinary consideration of the role Early Modern women played in the hands-on production of visual and material culture in the courts of Europe and Asia (c. 1400-1750). She is one of the research leaders of “TEAM (Teaching, E-learning, Agency and Mentoring)” for  AWARE (Archives of Women Artists Research and Exhibitions).

Before joining UA, Dr. Sung was Assistant Curator at the Peabody Essex Museum (PEM) where she worked on Empresses of China’s Forbidden City, an exhibition organized by PEM, National Museum of Asian Art (Freer|Sackler) and the Palace Museum, Beijing. She also held the position of Project Coordinator for the international research and digital humanities project “A New Approach to the Popular Press in China: Gender and Cultural Production, 1904–1937.” Dr. Sung is also a visual artist, and an independent curator. She has curated exhibitions on the works of Chinese-Canadian women artists, new art of the Asian diasporas, and experimental calligraphy. She earned her Ph.D. in Humanities, and MFA in visual arts from York University, Toronto.

Courses Taught

  • ARH 555: Modern and Contemporary Chinese Art (Graduate seminar)
  • ARH 455: Topics in Asian Art
  • ARH 355: The Art of Imperial China
  • ARH 356: Art of Japan
  • ARH 354: Art of South and Southeast Asia
  • ARH 254: Survey of Art III: Asian Art

Select Publications

  • “Redefining Female Talent: The Women’s Eastern TimesThe Ladies’ Journal, and the Development of ‘Women’s Art’ in China, 1910s–1930s.” In Women and the Periodical Press in China’s Long Twentieth Century: A Space of their Own?, edited by Michel Hockx, Joan Judge, and Barbara Mittler, 121–140. Cambridge: Cambridge University Press, 2018.
  • Grove Art Online Oxford Art Encyclopedia entries: “China, Twentieth Century: Exhibitions,” “Shenbao (newspaper),” “Yin Xiuzhen,” and “Zao Wou-Ki [Chao Wu-chi; Zhao Wuji].” (forthcoming)
  • “Naistenlehdet, 1900-Luvun Alun Uudet Ilmaisukanavat” [New Channels of Expression: Voices in Women’s Magazines in the Late Qing and Early Republican China]. In Enemmän Kuin Puoli Taivasta: Kiinalainen Nainen Historiassa, Yhteiskunnassa Ja Kulttuurissa [More than Half the Sky: Chinese Women in History, Society and Culture], edited by Tiina Airaksinen, Elina Sinkkonen, and Minna Valjakka, 341–46. Helsinki: Art House, 2016. (In Finnish)
  • The Birth of a Database of Historical Periodicals: Chinese Women’s Magazines in the Late Qing and Early Republican Period.” Tulsa Studies in Women’s Literature, Vol. 33, No. 2 (Fall 2014). Co-authored with Liying Sun, and Matthias Arnold.

Selected Presentations

  • February, 2020. “Affirming Their Roles: An All-Women Art Society in 1930s Shanghai.” presented at CAA 2020, Chicago, Illinois.
  • October, 2018. “Women Artists as Valuable Citizens: An All-Women Art Society in 1930s Shanghai.” Presented at SECAC 2018, Birmingham, Ala.
  • July 2017. “The Global Experience and Patriotic Virtue of Artist Jin Taotao (1884–1939).” Presented at the International Conference on “Chinese Women in World History,” Academia Sinica, Taipei.
  • March 2017. Panel organizer and presenter for the panel “Leaving Their Footprints: Asian Artists in Early Twentieth-Century Paris.” Association of Asian Studies (AAS) Annual Conference, Toronto.
  • April 2016. Panel organizer and presenter for the panel “Chinese Women Artists Making Their Mark: Public Identity and Agency from the High Qing to the Contemporary.” Association of Asian Studies (AAS) Annual Conference, Seattle.
  • October 2014. “A Chinese Woman in Paris: Pan Yuliang and the Development of ‘Women’s Art’ in China.” Presented at The Fifth Annual Feminist Art History Conference. American University, Washington DC.
  • May 2014. Panel co-organizer and presenter at the workshop “A Medium on the Edge: The Chinese Women’s Periodical Press in China’s Long 20th Century.” Berkshire Conference on the History of Women 2014. University of Toronto.