Directory

Mina Kim

Mina Kim

Assistant Professor of Art History, Foundations

Education

  • PhD, The Ohio State University, 2016
  • MA, The Ohio State University, 2012
  • BA, The University of Michigan, 2007

About


Dr. Mina Kim joined the department in 2019 to teach art history foundations. Her research focuses on Korean art, East Asian art and global modern and contemporary art, including multimedia and digital art, transdisciplinarity in art and science, cross- or intercommunication between art and science and art, society, politics and religion from the past and the present in East Asia and the world.

Before coming to UA, Kim was a post-doctoral faculty fellow in Asian art history at the University of Nebraska-Lincoln. She received her BA in the history of art magna cum laude from the University of Michigan, and her MA and PhD degrees in the history of art from The Ohio State University.

She is currently working on a new book project, Korean Contemporary Art: New Directions since 1960, was accepted by Reaktion Books (London; Distributed by the University of Chicago Press: Chicago) with an advanced contract. She is also the author of Jung Yeondoo’s Media Art: Quantum Deformation through Coincidence of the Real and the Virtual. Her article, “Reinscribing Tradition in Twentieth-century China: A Biographical Sketch of Pan Tianshou (1897-1971)” will be forthcoming in Asian Culture. She published her article, “Debating Wang Meng’s (1308-1385) Undated Handscroll: The Continuous Dialogue between Images and Texts in China” in Misulsahak yŏn’gu (Korean Journal of Art History) on March 2020. She has published three articles related to the Chinese artist, Pan Tianshou (1897-1971), in Orientations, Journal of Museum Studies and American Journal of Chinese Studies.

Selected Publications

  • Korean Contemporary Art: New Directions since 1960. (under contract, London: Reaktion Books; Chicago: Distributed by the University of Chicago Press)
  • “Reinscribing Tradition in Twentieth-century China: A Biographical Sketch of Pan Tianshou (1897-1971).” Asian Culture 44 (forthcoming, 2020). [Refereed]
  • “Debating Wang Meng’s (1308-1385) Undated Handscroll: The Continuous Dialogue between Images and Texts in China.” Misulsahak yŏn’gu (Korean Journal of Art History) 305 (March 2020): 149-170. [Refereed]
  • Jung Yeondoo’s Media Art: Quantum Deformation through Coincidence of the Real and the Virtual. Seoul: Arts Council Korea Arko Art Center, 2018.
  • “Across Time and Space: Historical Influence on Pan Tianshou (1897-1971),” Orientations 48, no. 4 (2017): 42-47.
  • “Beyond Representation: Reinscribing Museum’s Collection of Chinese Painting in the Contested History: A Case Study of Pan Tianshou Memorial Museum,” Bakmulgwan hakbo (Journal of Museum Studies)32 (June 2017): 105-128. [Refereed]
  • “The Embodiment of Time and Space: Political Expression of Pan Tianshou,” American Journal of Chinese Studies24, no. 2 (October 2017): 141-152. [Refereed]

Selected Presentations

  • “Quantum Deformation of Reality: A New Perspective and Visualization of Traumatic Disasters in Contemporary Art.” The AAS-in-Asia 2020 Conference, Kobe, Japan, September 2020.
  • “Korean Artist, Jung Yeondoo: The Coexistence of Reality and Fantasy,” CAA (College Art Association of America) Annual Conference, Chicago, Ill., February 2020
  • “Creativity in Contemporary Art: Jung Yeondoo’s Quantum Deformation of Reality,” The AAS-in-Asia 2019 Conference, Bangkok, Thailand, July 2019
  • “Experimental Art in the 1960s and 1970s Korea,” AAS (The Association for Asian Studies Annual Conference), Denver, Colo., March 2019
  • “The Concealed Essence of the Phenomenon: Korean Experimental Art for Today,” MACAA (Mid-America College Art Association), Lincoln, Neb., October 2018
  • “Beyond Representation: Reinscribing Museum’s Collection of Chinese Painting in the Contested History,” International Council of Museums, South Korea, May 2017
  • “Past and Present: Exchange, Negotiation and Transformation in East Asia,” The Korean National University of Cultural Heritage, South Korea, May 2017
  • “Intersection of Religion with Modern Chinese Ink Painting,” University of Nebraska-Omaha, NE, April 2017
  • “Cultural Nationalism and Modernity: Rediscovering Pan Tianshou in Twentieth-Century China,” University of Nebraska-Lincoln, Neb., April 2016
  • “Epitomizing Hybrid Subjectivity and Sociocultural Environment: Letter by Li Zhi of Bada Shanren (1626-1705),” The Mellon Chinese Object Study Conference at Smithsonian Freer Gallery of Art and Arthur M. Sackler Gallery, Washington D.C., November 2014

Recent Grants and Awards

  • Certificate of Recognition for Contributions to Students Awards, UNL Parents Association, University of Nebraska-Lincoln, 2019
  • Marilyn A. Papp Graduate Scholarship, Marilyn A. Papp Graduate Scholarship Trust, L. Roy Papp & Associates, Phoenix, Ariz., 2014-2016
  • ASC Awards, The Ohio State University, Columbus, 2014-2015