LAURA SHILL earned a BA in Journalism while taking many courses in photography with Gay Burke at UA. She earned an MFA in Studio Arts from The University of Colorado,
Johnny Goodwin teaches at Birmingham-Southern College
JOHNNY GOODWIN, MA 1999 and BA 1997 (history and studio art), earned his MFA and Ph.D. in 2005 in studio art and photography from the University of Memphis. Goodwin is
Holden teaches in Arts and Culture Master’s Degree Program
LEIGH HOLDEN, MFA 2007 (photography) and MFA 2003 Book Arts, is a working artist and an instructor teaching in the University College Arts and Culture master’s degree program at the
Sarah Cusimano Miles Receives Numerous Awards
SARAH CUSIMANO MILES, MFA 2010, was named in the top 50 of Critical Mass, an international portfolio review sponsored by Photolucida in Portland, OR. She also received a Juror’s Commendation in the Silver
Rhonda Roebuck retires from teaching
RHONDA ROEBUCK, MFA 1978, writes: “I am now retired from teaching. I live in Greenwood, VA, just outside of Charlottesville. I taught art for 24 years in Albemarle County Schools.
Jenny Fine teaches at Ohio State University among other endeavors
Since earning an MFA at The Ohio State University in 2010, JENNY FINE, BFA 2006, has been working as a studio assistant for artist Ann Hamilton. During 2009 and 2011
Raudelunas Revival brings 70s art collective back to life
The long-awaited Raudelunas Revival was a huge hit. The “legendary radical 1970s Tuscaloosa intermedia arts collective” made a huge come-back with a retrospective exhibition in the Ferguson Student Center Gallery and a
Windgate awardee Adam Hill begins work for ceramicist Michael Sherrill
2012 Windgate awardee and alumnus Adam Hill, BFA 2012, recently started working for ceramicist Michael Sherrill, president of the board of The Center for Craft, Creativity & Design and owner
Clayton Colvin’s exhibition gets excellent review
CLAYTON COLVIN’s exhibition in March and April, sewing up the sea, at beta pictoris gallery in Birmingham, was interestingly reviewed by Walt Lewellyn in Weld. Colvin’s work, Lewellyn writes, is “part of a