Instructors Charlotte Wegrzynowski and Tom Wegrzynowski each have a work in the Fifth LaGrange Southeast Regional Exhibition at the Lamar Dodd Art Center in LaGrange, Georgia. The show, juried by
UA Museum Director To Host New Art Podcast
Daniel White, director of the Paul R. Jones Museum and The University of Alabama Gallery, recently posted the first episode of a new podcast series, Postmodern Barbecue, on Soundcloud. The
Innovative UA Ceramicist Featured in Podcast, Exhibition
A new podcast, Trade Secret, featuring Assistant Professor Wade MacDonald and two more artists discussing innovations in ceramics, premiers at the end of August. In an episode titled “The Medium,”
Spring/Summer Loupe Features Murals, Music and More
The spring/summer issue of The Loupe – our once-a-semester encapsulation of news and activities of the students, faculty and alumni in the UA Department of Art and Art History — is
Women in Asian Art History is Focus of AWARE Webinar
On December 10, 2020, Dr. Doris Sung gave a webinar titled “Why Have There Been No Great Chinese Women Artists?” addressing issues surrounding the lack of visibility of women artists,
UA Art Prof’s Photos Reveal Effect of Community Pollution on Children, Family
As part of the A&S Program for Intensive Research (ASPIRE), Assistant Professor Allison Grant will spend the spring 2021 semester researching and building a body of environmental photography for an
Paul R. Jones Collection Featured on ‘Spirit of Alabama’
Emily Bibb, curator and collections manager of the Paul R. Jones Collection of American Art, was recently featured in WVUA 23’s Spirit of Alabama with Mike Royer. Bibb takes viewers
UA Art Historian Assists in Notre Dame Restoration
After the devastating fire at the Cathedral of Notre Dame in Paris last year, assistant professor of art history Dr. Jennifer Feltman joined forces with a group of international art
Drawing Professor’s Artwork in Renowned Company
The online art magazine Hyperallergic included drawing professor Pete Schulte‘s recent solo exhibition in its year-end review of significant art shows. Art critic Thomas Micchelli placed Schulte’s work in the